Friday 27 January 2012


Exploring the Ways in Which Artists Portray Women in Their Work 


Judy Chicargo - Birth Tear 
The art world has gone through many changes over the centuries; one of the most critical movements was 'The Feminism Movement', it particularly influenced me and my art topic, ‘The Self Portrait’. The feminism art movement did not just occur, it had been building up for quite some time. It all started in the 1900's when the first wave of feminism happened, this was the right for women to vote, after much protestation woman were granted their wishes. After effectively accomplishing their proposal this gave women the confidence to carry out more feminist acts. As the 60s came, the 'Women's Liberation Movement' happened, where they were looking for legal and social equality, this caused the 'girl power' craze. This is when the feminism art movement started, with a famous article with changed the art world; 'Why Are There No Great Woman Artists?' in 1971, this sprung up many issues within the art world and caused people to actually start to look at women's art work in a professional manner. It was then only 5 years later, the first woman's art museum and from then on woman have been expressing themselves through artwork, The typical feminist piece of work would consist of vaginal imagery, menstrual blood, naked woman with a lot of embroidery ('women's work'), a perfect example of this is Judy Chicargo's 'Birth Tear'.  
Jean Auguste Dominique
Ingres- La Baigneuse
Many centuries ago women weren't even allow to paint, as it was seen as academic, and only men were allowed to indulge themselves in education, so through the renaissance period, paintings were painted from a mans perspective and were for men. The occasional time a woman would paint, it would be in honour of a man, it would be a self-portrait of them holding up a painting of the man they are honoring. So through the 1300-1800 we saw many similar paintings of nude women, although they might be in different styles the woman would always be represented in the same way. The painting of nude woman would usually be small, elegant, with their face looking away or looking vulnerable, with the woman lying down as if helpless. Typical artists of these paints are Jean Auguste Dominique Ingre and Raphael. So when the feminism art movement came it was huge shock to the system for many male artists and what was once their domain, had suddenly been taken over by many woman. 
Jenny Saville - Branded
Now art is full of inspirational woman portraying the 'real' woman. I felt I wanted to achieve this within my art, and portray the real side to mothers and the way their children treat them. I looked into a few of these women in my spare time and sketch book to get a clear feel for their art and meanings behind it. One artist which really interested me was Jenny Saville who reinvented the self-portrait, by showing how she really saw herself, and how women are not usually portrayed. She fights the idea of the perfect body, by showing them enlarged and distorted. I felt I wanted to do the same thing with mums, and show a 'real' mum who isn't a perfect 'yummy mummy', I didn't want to show the stereotypical mum, as Saville didn't want to show a stereotypical woman, she shows this in her painting 'Branded', where she has an obese woman with words like  'petite', 'delicate' etc. Branded on her skin. I also wanted to show my effect on my mum, by making her into a puppet, as if I were the puppeteer. Saville made various enormous paintings of obese woman which are really in your face, as if the bodies are pushing out off the canvas, this contrasts with most portraits of small, elegant woman. I also feel it's prominent because she is trying to show how skinny women in media and advertising are being drummed into our brains. Jenny Salville's work is known for being feminist, and she was one of the artists who participated with 'The Feminist Movement', on one of her paintings she inscribes:
"If we continue to speak in this sameness, speak as men have spoken for centuries, we will fail each other again."

Sarah Lucas -Au Naturel 
Another feminist artist who I researched into was Tracey Emin, who was a founder of 'confessional art', she portrayed her deepest thoughts and secrets though her art. One of her most famous pieces is called 'Everyone I Have Slept With', which was a tent with the names of everyone she had slept with sewn onto it, many feminists use sewing within their artwork, to be ironic as sewing is 'woman's work'. Throughout my sketchbook I introduced sewing to give it texture, and emphasis to my mum being a typical mum. Emin's confessional work like 'my bed', where she shows her bed with all her mess around it, beds are very personal places which only a few selected people would see, I feel it also shows that woman are not perfect and can be just as messy and dirty as men, this inspired me to confess how I use my mum as a puppet and how I see her, not how she would like people to see her. An artist who's work is similar to Tracey Emin is Sarah Lucas, in her work she represents sexuality in a jokey stereotypical form, a famous piece of her work is 'Two Eggs and a Kebab', many people use these words when talking about woman's body parts, so she lays them out on a table where the actual body parts would be, it has a great comic effect and really makes the audience think about the slang we use to describe a woman's body. Lucas's work can be quite blunt, when representing a man penis, she just uses oranges and a cucumber, she does this because she is almost mocking, old painters who painted woman with fruit, for example Gauguin and Piccaso.

Throughout my sketchbook I explore Diane Arbus, she was a huge impact on my work. She is known to photograph 'freaks' in their natural habitat. She doesn't glamorize them, but instead captures 'the space between who someone is and who they think they are'. I tried to take some photos of people in the style of Diane Arbus, by trying to show their true self, I tried to capture the eery feel her photos have, this lead me onto my final piece, by showing the truth behind someone, and the effect other people have on them. My mum would never like to think I have control over her and that she spends most of her time cleaning and cooking, she would never like other people to know this, Arbus's work 'implicates you and the ethics...our license to have that experience of viewing another person is changed and challenged'. I wanted my work to quite intimate, and for the spectator to be involved and understand the meanings behind it.

Cindy Sherman - Untitled Film Still
Another photographer who interested me was Cindy Sherman, who raised challenging questions about the role and representation of woman in society and media. she provoked thought into the stereotypical image of a woman, some of her photos showed woman being pristine and neat, but then has the complete contrast, photos of vulnerable girls, from a high angle shot looking frightened, as if the spectator was the violating the woman. This could be emphasizing that most woman hide behind a facade, and no one really knows what's deeper, this was very relevant before the 'Woman's Art Movement', because it was common for woman to keep their feelings and thoughts to themselves, so men didn't seem to understand woman and the complexity of them. Now due to the 'Feminist Movement' woman are far more honest and open about the their opinions, and men now understand woman to a certain extent. 
From all my research I have got a clear understanding of the 'feminist art movement', which gave me inspiration throughout my sketch book and for my final piece. My aim of my final piece was to portray the most influential person in my life, my mother. I wanted show the viewers, how I see my mum and my influence on her and her surroundings, I intended to include 'confessional art' as the main inspiration, as I am confessing I use my mum as marionette, and I can manipulate her to do anything. I felt it also showed the true side to mothers and their day to day lives, how they are slaves to their own children. This tied with the 'feminist movement' as woman were second class citizens and were rules my men, but nowadays it has changed from men to children. All of these artists help get and idea of what 'feminist art' is all about, and the meanings and representations behind them. I found all of these artists inspired me to do a reflection of myself on my mum.  

Sunday 1 January 2012

A Level Unit 1 - The Self Portrait



Robert Lenkiewicz
Robert Lenkiewicz was one of the South West England's most celebrated artists of modern times. Perennially unfashionable in high art circles, his work nevertheless popular with the public. He painted on large scales, usually in themed projects investigating hidden communities or difficult social issues.

Robert Lenkiewicz did many different projects throughout his life, they include 'Love and Romance', 'Jealousy', 'Orgasm', and so on. All in all he had 24 projects about his life and personal matters. One project was 'The Self Portrait', in it he did many paintings of himself, usually including a nude woman or mirrors. A reason he liked mirrors is because he felt he could relate to quotes from famous artists.

'Every day in the mirror I see death at work' - Francis Bacon

'The mirror, above all - the mirror is out teacher' - Leonardo Da Vinci

'All the paintings are 'self' portraits, only i do not believe in a 'self'. we identify an individual by the boundary their body forms, but nothing is to do with 'self'. 'Self', like 'justice', 'truth', 'beauty is poetry'. - Robert Lenkiewicz

My own interpretation
on his work.
 - 
watercolour
Many of his paintings of himself are with various girls or a girl called Mary. Many people said he was reflecting himself against another woman, almost saying their who he wishes to be, and others say it's woman he is currently was sleeeping with. I personally feel in the painting the way he touches them within the paintings show him having power over them.  

Lenkiewicz said 'These formulae are so loaded and cross-referential that the visitor also must resist temptation. The work can be misunderstood. 'Patterns' of obsessive behaviour are what interest me - the form not the content'

'To paint oneself is to paint the portrait of a man who is going to die. Relationships are mirrors. The painter looks into the mirror to paint himself; the lover looks into his lover to love himself. She sits on my lap, a reflection of my aesthetic addictions; a reflection in a reflection. The painter reflects upon the reflection. The woman reflects upon the painter reflected. I am thinking of your partner, priest, or your spouse, art historian, and you, the one holding this catalogue with good humor or with irritation. I am thinking of 'that' person, you know the one, They could all be on my lap in these paintings. I am no longer young, less fit than I was and still mean what I say. It's not me that annoys or threatens. It is the knowledge in the heads of my companions, my doubles. And if your smile or recognition, your smile of humane resignation is the smile I hope it is; then you are my double too. 



This explains why in many of his paintings he is sat with a lover in-front of a mirror, reflecting himself and their relationship, and I feel he needs to see it to make it feel real, as he has a strong positive connection with mirrors. When Robert was painting Mary they had a very intense relationship. He found her addictive and became very jealous. The paintings with him and Mary show vulnerability towards her. The project became a crossroad for him, with the understanding that relationships do not solve the problem or existence. 

Lenkiewicz was great at researching into colour, not in a pigment sense, but in the way he translates the experience onto canvas. He had the ability to break down ton and colour into a huge range of shades and hues which allowed him to push his colour to a great richness of hue and yet stay in the boundaries of the way the eyes see. He found colours a huge part of his work as it creates emotions and a feel for his paintings. He would normally just use standard canvas', but it did depend on the state of his finances. He would usually use oil paint and apparently was very fussy about the order of his paints on his pallet and occasionally didn't finish his paintings, I personally prefer his unfinished artwork.

Diane Arbus
Diane Arbus was an American writer and photographer; her most recognised work is her black and white photographs of deviant and marginal people, for example circus performers, giants, transvestites etc. She brought and open minded eye to society's underside. Diane Arbus grew up and lived in New York City and committed suicide at the age of 48 due to depression.

Arbus liked to focus on the spectators morality of her photography, by showing people who usually aren't accepted in society in their own environments. She likes to show people unmasked and captures her subject usually looking miserable and isolated. I feel she is trying to show we live in a world in which everyone is hopeless;y isolated. I also feel that Arbus found normal people very scripted and boring. She was genuinely interested in meeting and photographing 'freaks'.

'Freaks was a thing i photographed a lot' she wrote. 'It was one of the first things i photographed and it had a terrific kind of excitement for me. I just used to adore them, I still do adore them. I don't quite mean they're my best friends but the made feel a mixture of shame and awe. There's a quality of legend about freaks. I like a person in a fairy tale who's stops you and demands demands you to answer a riddle. Most people go through life dreading they'll have a traumatic experience. Freaks were born with the trauma  They've already passed their test in life.'

During her career, Arbus took many pictures of nudist, sex workers and people in bed. I feel she does this because she said sex was:

'The quickest, purest way to puncture a person's facade'

She got people in their most personal places, showing their true selves. I feel she is very affective in doing so, you feel very intimate when viewing her photos, you're not sure whether you are intruding someone else's personal space which causes you to feel slightly uncomfortable. This really breaks the barrier down and makes you feel equal to them as your probably feeling as uncomfortable as they are.

My interpretations of Diane Arbus's work 

Jenny Saville
Jenny Saville is a young famous artist from Cambridge, Saville is known for her large scale painted depictions of the naked obese woman and by all means not contemporary in te way she shows a woman's body, she shows it in a grittier side, by using flesh and crude positions. Most of her paintings of large naked woman is how she see's herself, one of her most famous paintings is of a large naked woman perched on a stool with large thighs hanging over it and looking rather uncomfortable, in the painting she's pulling he head back but still slightly glancing at the viewer, she also in-craved a feminist quote, 'If we continue to speak in this sameness, speak as men have spoken for centuries, we will fail each other again.'   

Saville said she painted the painting out of the need 'to try-visually-to find a female language and a feminine space'. Saville would usually work on a huge scale creating huge pictures of naked woman to emphasis her feminist views, traditionally in art they say it's unheard of to have a painting of a woman larger than the man spectating it, as it will make them feel inferior to them, Her paintings would span around seven feet by 6 feet. 

Savilles painting 'Plan' is a self portrait of herself from a low angle, so the viewer looks up to her. The painting causes great discomfort when you catch eyes with the subject, Savilles meaning behind the painting was to remind the spectator of how the history of art is male dominated, and how we have accustomed us to look at the paintings of the female body: as an object of entertainment and beauty. This painting, once again challenges the male fantasy by empahsising unappealing body components such as fat and pubic hair; while at the same time empowering the subject though the use  of an impressive scale and how she is looking at you.   

My interpretation of Jenny Saville

  

'There is a thing about beauty. Beauty is always associated with the male fantasy of what the female body is. I don't think there is anything wrong with beauty. It's just what women thing is beautiful can be different. An there can be a beauty in individualism. If there is a wart or a scar, this can be beautiful, in a sense, when you paint it'. - Jenny Saville. 

My interpretation of 'Stare' - Acrylic paint  


Saville has an interesting way of using her paints, instead of using a palette she likes to mis individual pots of colour; she could sometimes have up to 300 pots for painting. She would use oil colours and occasionally added more oil to give movement to the paint and so to the overall composition . She likes to make paintings look messy and bold, I feel she does this to step away from the norms or historically correct art. 
My take on Jenny Saville
Saville would usually make one painting into a project by starting off with sketches of her visions and prototypes  she would take photos or a model in the position she wanted, to get the right proportions but whiles she paints she will change the persons to be more ugly and to look more like herself. She sometimes does self-portraits of herself in the mirror and uses many lights to creates the right shadows.

Photographic paper
I personally really like Savilles work, I feel it's very interesting to look at and it definitely stands out. I love the fact she does her paintings on such a large scale to really prove her feminist points. I admire the idea behind her paintings about the meaning of 'beauty'and what is socially 'normal'. I also feel she is a great and talented painter and really captures the emotion and message within the paintings.

Me in a nutshell
Ink


My view upon my parents
Ink

sewed the pictures together, and embroidered a background on the right.

Stuffed doll of mother, used transfer paper on calico.




Marionette

1 A small doll or figure controlled by strings

attached to its limbs by the puppeteer 2 A 
person or government that appears to be 
independent but is controlled by another








Oil paint

Monoprint, acrylic paint, ink.

Self-portrait of me portrayed upon my Mother.